the- documents.org
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7
the-documents.org
is an online platform, collecting, describing, presenting and generating documents of all sorts. It documents documents.
Your path through the collection lead alongSwarms, Border, Une étoile est-elle un document?, It’s Pouring, Adhesive, Deneef ‘for ever’, Zebras, Le dos-cul ment, Potholes, The Birds, F 6, Knee, Essie, Gatun Locks, Neptune in opposition [3/20] – Azure, 12M m3 [5/8] It’s Freezing, March, 2 bdrms, Moulds for speculation, Quarry, Inflation, Slightly Askew (1), 12M m3 [8/8] Heating, Debatably graded, From Asturias, Into Cantabria, Neptune in opposition [5/20] – Magnolia leaves on a cloudy afternoon, Mary, The Loop of the Sparta K-10, Neptune in opposition [11/20] – Alpine, At the copyshop, YAY HOORAY, Firing tool, Moulds for speculation, Stopwatch, Two Sparta K-10s, Owned by Fred and Partner, Learning broom-making again, The Birds, Neptune in opposition [13/20] – A foraging fox, Neptune in opposition [5/20] – Magnolia leaves on a cloudy afternoon, A Seismic Change, Magnifier, Desiccation, Neptune in opposition [19/20] – Approximation, Oven encounter, Measures, Block, It’s Pouring, Album, 12M m3 [1/8] Rapid Snowmelt, It’s Pouring, A Bibliographic Reference, Original Copy, Crocodile Copy
07.03.2024

What constitutes a ‘document’ and how does it function?

According to the Oxford English Dictionary, the etymological origin is the Latin ‘documentum’, meaning ‘lesson, proof, instance, specimen’. As a verb, it is ‘to prove or support (something) by documentary evidence’, and ‘to provide with documents’. The online version of the OED includes a draft addition, whereby a docu­ment (as a noun) is ‘a collection of data in digital form that is considered a single item and typically has a unique filename by which it can be stored, retrieved, or transmitted (as a file, a spreadsheet, or a graphic)’. The current use of the noun ‘docu­ment’ is defined as ‘something written, inscribed, etc., which furnishes evidence or information upon any subject, as a manuscript, title-deed, tomb-stone, coin, picture, etc.’ (emphasis added).

Both ‘something’ and that first ‘etc.’ leave ample room for discussion. A document doubts whether it functions as something unique, or as something reproducible. A passport is a document, but a flyer equally so. More­over, there is a circular reasoning: to document is ‘to provide with documents’. Defining (the func­tioning of) a document most likely involves ideas of communication, information, evidence, inscriptions, and implies notions of objectivity and neutrality – but the document is neither reducible to one of them, nor is it equal to their sum. It is hard to pinpoint it, as it dis­perses into and is affected by other fields: it is intrinsically tied to the history of me­dia and to important currents in literature, photo­­graphy and art; it is linked to epistemic and power structures. However ubiquitous it is, as an often tangible thing in our environment, and as a concept, a document deranges.

the-documents.org continuously gathers documents and provides them with a short textual description, explanation,
or digression, written by multiple authors. In Paper Knowledge, Lisa Gitelman paraphrases ‘documentalist’ Suzanne Briet, stating that ‘an ante­lope running wild would not be a document, but an antelope taken into a zoo would be one, presumably because it would then be framed – or reframed – as an example, specimen, or instance’. The gathered files are all documents – if they weren’t before publication, they now are. That is what the-documents.org, irre­versibly, does. It is a zoo turning an antelope into an ‘antelope’.

As you made your way through the collection,
the-documents.org tracked the entries you viewed.
It documented your path through the website.
As such, the time spent on the-documents.org turned
into this – a new document.

This document was compiled by ____ on 07.03.2024 10:43, printed on ____ and contains 53 documents on _ pages.
(https://the-documents.org/log/07-03-2024-5816/)

the-documents.org is a project created and edited by De Cleene De Cleene; design & development by atelier Haegeman Temmerman.

the-documents.org has been online since 23.05.2021.

  • De Cleene De Cleene is Michiel De Cleene and Arnout De Cleene. Together they form a research group that focusses on novel ways of approaching the everyday, by artistic means and from a cultural and critical perspective.
    www.decleenedecleene.be / info@decleenedecleene.be
  • This project was made possible with the support of the Flemish Government and KASK & Conservatorium, the school of arts of HOGENT and Howest. It is part of the research project Documenting Objects, financed by the HOGENT Arts Research Fund.
  • Briet, S. Qu’est-ce que la documentation? Paris: Edit, 1951. 
  • Gitelman, L. Paper Knowledge. Toward a Media History of Documents.
    Durham/ London: Duke University Press, 2014.
  • Oxford English Dictionary Online. Accessed on 13.05.2021.

the-documents.org

July. Our eight-month-old son has a fever. We have a hard time getting him to drink enough. The tally marks on the back of a tortellini-box keep track of the diapers he wets and the millilitres of milk and electrolytes he’s able to hold down. 
Stuck inside with worrying parents, a sticker-book about a farm is his brother’s favourite pass-time. Tired of having to go back and forth between the pastures and the sticker-filled sheets we decide to use my arm as a repository for animals that share a habitat.

the-documents.org
Swarms
10:32:23
the-documents.org

Belgium, approximately 1.5km from the French border, photograph made on 16.06.2018.

The European flag symbolises both the European Union and, more broadly, the identity and unity of Europe. It features a circle of 12 gold stars on a blue background. They stand for the ideals of unity, solidarity and harmony among the peoples of Europe. The number of stars has nothing to do with the number of member countries, though the circle is a symbol of unity.1

  1. Coat of arms of Gmina Puck, a rural district in Puck County, Pomeranian Voivodeship, in northern Poland.  
  2. Illegible.
  3. F.C. Hansa, Mecklenburg, Pommern, FC Hansa Rostock is a German association football club based in the city of Rostock, Mecklenburg-Vorpommern. They have emerged as one of the most successful clubs from the former East Germany and have made several appearances in the top-flight Bundesliga. Hansa Rostock’s official anthem is “FC Hansa, wir lieben Dich total”. Hansa struggles with hooliganism, estimating up to 500 supporters to be leaning towards violence. The club’s logo consists of a red sailing ship with a blue sail showing the Rostock Griffin.
  4. Mon École Écologique.org is an organization for environmental conservation. On 07.01.2021 there was no website listed on this URL.
  5. Illegible.
  6. Illegible, apart from ’1962’ in the middle.
  7. Innocenti Bruderschaft, EL, 2018, a community of German Lambretta Innocenti riders and aficionados.
  8. Imag’Ink, Bretignolles Sur Mer, Tatoueur, 06 06 44 13 51, a French tattoo shop.
  9. Illegible.
  10. Hardly legible, the only word that can be made out is ‘Futbolom’: Russian for soccer.
  11. Kaluga on tour. Kaluga is a Russian city 150km southwest of Moscow. It is often called the cradle of space exploration thanks to the city’s most famous resident: Konstantin Tsiolkovsky.
  12. Hansa Ultras, F.C. Hansa. The Ultras are a group of F.C. Hansa fans (see: ‘3’).
  13. Illegible because ‘12’ was stuck over it.
  14. Illegible.
  15. La Hutoise is a regional student-association for higher education students from the Belgian town of Huy and its surroundings. Its aim is to bring together students from Huy in a spirit of camaraderie and to perpetuate student folklore. The logo consists of a two headed bird of prey with a cap on each head. The bird wears a scarf over one shoulder and holds a glass of beer in each paw.
  16. F.C. Hansa, Grimmen. The F.C. Hansa logo (see ‘3’ and ‘12’) is combined with the coat of arms of Grimmen: a griffin on a pile of 10 bricks. Grimmen is a German town in Nordvorpommern on the banks of the river Trebel.
  17. Illegible.
  18. Heil Hansa. To the left of this text the F.C. Hansa logo (see ‘3’, ‘12’ and ‘16’), on the right a logo consisting of a black bull with his tongue out and a golden crown on his head. This controversial sticker lead to several arrests in the run-up to the match between F.C. Hansa Rostock and Bayern München in February 2020. Supporters of F.C. Hansa had attached this sticker to public buildings on their way to the stadium.
  19. Illegible because ‘16’ was stuck over it.
  20. The Cuban flag.
  21. Illegible.
  22. Illegible.
  23. Kaluga (see ‘11’).
  24. De Veterinnen, a round, black sticker with a red print of a head wearing a round hat and a carnivalesque collar with a carrot for a nose. No further information found.
  25. Zlombol 11. Złombol is a yearly charity car rally racing event that starts in Katowice Poland. Contesters must drive a car that was built or designed during the communist era. The destination of the 2011 edition was Loch Ness.
  26. F.C. Hansa, Mecklenburg, Pommern, identical sticker to ‘3’, see also ‘12’, ‘16’, and ‘18’.
  27. Torpedo Moscow, only for white. Football club Torpedo Moscow is a Russian professional club based in Moscow, founded in 1930. Some fans of the club wave far-right symbols and banners, both during and outside of matches. Massive fan-protest ensued when the club tried to sign a black player in 2018. The player’s contract was cancelled.
  28. Heil Hansa. See ‘3’, ‘12’, ‘16’, ‘18’ and ‘26’.
  29. Illegible.
  30. Illegible.
  31. Illegible.
  32. Illegible.
  33. F.C. Hansa. Variation of ‘3’ and ‘26’ with a circle of yellow crops around the logo. See also ‘12’, ‘16’, ‘18’ and ‘28’.
  34. Live animals, contents: Rivne UA. These stickers are required by the International Air Transport Association for airline cargo pet travel. Rivne is a city in western Ukraine (UA) with an international airport. The sticker does not specify the transported animal but displays a dog, two birds, two fish and a turtle.
  35. Illegible.
  36. Illegible.
  37. Illegible.
  38. Illegible, apart from ‘lska’ on the bottom.
  39. Norrland Fly Guys, Reading Water. The sticker displays a minimal landscape with two pine trees, and a shed on a chunk of floating ice, a single four-point star shines in the sky. Norrland is the northernmost part of Sweden. No further information found. Whether the ‘fly guys’ own airplanes or are involved in fly fishing is unclear.
  40. This sticker displays – what appears to be – a smiling potato in front of an enlarged snow crystal. No further information found.
  41. Traumsucht is an artist collective from Berlin. Their website lists German rap-artists
  42. Illegible.
1

https://europa.eu/european-union/about-eu/symbols/flag_en

the-documents.org
Border
10:33:38
the-documents.org
Border
10:33:38
the-documents.org

In the introduction to her book Qu’est-ce que la documentation?, French ‘documentalist’ Suzanne Briet asks what a document is. In a scrappy scan of her book I found online I am highlighting almost everything she writes. Is a star a document? Briet says it isn’t. But the catalogues and photographs of stars are. When I quickly opened the file with Apple’s ‘Preview’ application to check the above paraphrase, the highlighted sentences were illegible.

Briet is cited in Lisa Gitelman’s Paper Knowledge (2014).

Briet, S. Qu’est-ce que la documentation? Paris: Edit, 1951. Online: http://martinetl.free.fr/suzannebriet/questcequeladocumentation/briet.pdf 

the-documents.org
Une étoile est-elle un document?
10:33:52
the-documents.org

In his debut novel ‘De Metsiers’ Hugo Claus employs a multiple narrative perspective. In the copy I picked up in a thrift store, there’s a bookmarker between pages 44 and 45 where the perspective shifts from Ana to Jim Braddok. It’s pouring. The pink piece of paper lists 9 sessions at a driving school. There’s a total of 20 hours, taught alternately by Johan and Guy.

In 2000, 2006 and 2017 the twenty-sixth of December was a Tuesday. (Earlier years are improbable, since the Euro was not introduced yet.)

Claus, H. De Metsiers. Amsterdam: Uitgeverij De Bezige Bij, 1978.

the-documents.org
It’s Pouring
10:33:55
the-documents.org

The Bahrain Formula 1 Grand Prix takes place every year since the track’s inauguration in 2004 – except for 2011 when the race was cancelled due to protests in the wake of the Arab Spring. To prevent sand from covering the track and entering the air-ducts and engines, the sand near the track is sprayed with an adhesive to keep it from blowing around.

The cloud of sand in the picture (made near Avenue 61 on an artificial island close to Seef) was made by kicking it into the frame while M.R. and M.D.C. had to stop and wait for a truck that was being towed after the driver lost control over the vehicle and flipped it onto its side. Days earlier M.D.C. had tried to make a photograph of the F1-track, but couldn’t get close enough to make a decent picture.

the-documents.org
Adhesive
10:33:58
the-documents.org

The previous owners of the house we moved into, left us a piece of a newspaper that was used to clad the wall at the time the building was built, and which they found when they renovated the house. The sport-section of the socialist newspaper Vooruit is dated 18 November 1931. It features articles on cycling and soccer. Recently, we noticed the plaster is coming off the wall in one corner of the living room. With sufficient rain, it might reveal other events that happened on that 1931 November Wednesday.

the-documents.org
Deneef ‘for ever’
10:34:00
the-documents.org

On Mondays, before noon, I go to the supermarket with my two-year-old son. After passing the lasagnes, the loaves of bread and the fruit and vegetables, we make a short stop at the aquarium with the lobsters. Around New Year, there are two of them. 

After we’ve paid for the groceries and have put them in the car, we walk into the pet shop. We look at the parrots (Jacques, Louis and Marie-José), the rabbits, the guinea pigs, the assorted caged birds and the fish and turtles. He’s very fond of the Cyphotilapia Frontosa Burundi. He calls them zebras. They hail from Lake Tanganyika, the label says. It’s the second-oldest freshwater lake, the second-largest by volume and the second-deepest. The pet shop has adorned their aquarium with a scene of ocean waste.

In an effort to avert guilt, I look for something cheap and more or less useful to buy: birdseed, a snack for the neighbour’s cat, a comb for his grandparent’s Labrador, etc. 

the-documents.org
Zebras
10:34:03
the-documents.org

This is a trace, and it is not.
Ceci est une trace et ne l’est pas.
What is a trace?
Qu’est-ce qu’une trace?
Le document n’en est pas, le document documente.
Documents what?
Peu importe, le mot ‘document’ est dérivé du latin docere, c’est à dire…
to show, to teach, to instruct. The document is docile, unlike the trace.
La trace ne montre pas, n’enseigne pas, n’instruit en rien, à moins d’interpréter.
The trace as indexical: it does not ‘show’ though one can see it. It does not teach,
sauf que tout nous pré-existe, ou plutôt, nous insiste, n’est-ce pas?
It doesn’t: it’s never there as such until we name it so.

Documenti!
Papiere!
Poètes, vos papiers!
(Léo Ferre 1956)

Le document.
Le dos-cul ment.
Le d’au-cul ment.
Le dé au cul ment.
Mais co-ment?

Butt how?
The do-cum-meant.
The doc-cue-mint.
The dock-comment.

This is a cardboard mousepad.
Are you happy now?
Are you happy?
Are you?
Now?

document: a paper or set of papers with written or printed information, especially of an official type.
(https://dictionary.cambridge.org/us/dictionary/english/document)

‘He’s more of an official type.’

A document is a written, drawn, presented, or memorialized representation of thought, often the manifestation of non-fictional, as well as fictional, content.
(https://en.wikipedia.org/wiki/Document)

‘She was quite content.’

 Tha back-ass lies!

Sébastien Conard (1982) is a graphic artist, writer and teacher. He draws, writes and publishes comics, post-comics and artist’s books. From 2023 until 2026, he will explore the graphic trace in the context of a postdoctoral research project at LUCA School of Arts. 

the-documents.org
Le dos-cul ment
10:34:07
the-documents.org

Holding two cans of spray paint, a city employee walks through a sweet chestnut grove on the graveyard. He’s looking for potholes.

the-documents.org
Potholes
10:34:09
the-documents.org

This is the spread one sees upon opening the bird field guide that once stood, as the stamp indicates, in the library of a psychiatric institution.1 It shows birds’ silhouettes, as they can be seen beside the road.

The drawing has a kind of Hitchcock feel to it.2 The birds seem to be spying on each other, as they also seem to be spying on the unsuspecting passer-by. 

The composition of the scene is marvelous. The electric wires, the tree, the wire fence, the double framed list with the birds’ names, handsomely positioned in a birdless patch, at once superimposed on the telephone wires, and pushed to the background by the skylark.

Imagine seeing this scene. What are the odds: to see the silhouettes of Europe’s twenty most common species of birds in one glance, from your car’s window, as you are driving home at dusk.

Before closing the book, the last spread seems to show the birds fleeing, maybe attacking.3

1

The stamp indicates that, at the psychiatric institution, the book was part of the sublibrary for the Catholic Brothers of Charity. The crossed-out part indicates that there was also a separate physicians’ library, to which the book might have originally belonged.

2

On the web, discussions on whether Alfred Hitchcock’s The Birds (1963) was shot in colour or in black and white, abound. 

3

Peterson, R.T., Mountfort, G. & P.A.D. Hollom. Vogelgids voor alle in ons land en overig Europa voorkomende vogelsoorten (J. Kist, transl.). 3d ed. Amsterdam/Brussels: Elsevier, 1955. 

the-documents.org
The Birds
10:34:12
the-documents.org

In his Handboek Varende Scheepsmodellen (Handbook Sailing Ship Models) André Veenstra explains the different classes in ship model-competitions. There’s a wide variety. For static ship models the most important one is ‘truth-to-nature’. A jury compares the model to photographs of the actual ship and brings into account categories such as amount of work, degree of difficulty, scale ratio, construction execution and painting.

The most interesting class – according to Veenstra – is F 6. In this particular class, a number of participants with different boats will form a team. Together, they will perform a certain ‘act’ with a maximum duration of ten minutes. During the act, they mimic a slice of reality. Such as, for example, ‘rescuing’ and towing a ship in distress; extinguishing a fire on a tanker or oil rig, lichen and/or tow the sunken wreckage to the harbor, stage a naval battle, etc.

Page 262 shows a photograph of such a mimicked slice of reality. The caption explains: ‘Image 14.15. The Dutch demonstration in the F 6 class during the European Championship of 1975: the oil rig is set on fire by a motorboat with terrorists. The fire is extinguished and the oil rig is quickly towed to a safe harbor by tugs. The show was performed by six people and took a very creditable fourth place.’

the-documents.org
F 6
10:34:19
the-documents.org

The scientific exactitude sought for in the Iconographie de la Salpêtrière and the Nouvelle Iconographie de la Salpêtrière, the (in)famous scientific publications stemming from Paris’ psychiatric hospital La Salpêtrière (1876-1918), lead to an abundance of photographic images in their pages. The photographs’ ideal: ‘Trace incontestable, incontestablement fidèle, durable, transmissible’.1 The ambition of exactitude results in cold, and often cruel depictions of patients. In the digitized version of the Sorbonne library’s copies, some photographs have left an imprint on the opposite page. The knee of Charles, ‘le géant’, adds an unwanted layer upon its measures on the opposite page, while the photograph of the knee itself loses ink.2

1

Didi-Huberman, G. Invention de l’hystérie. Paris: Macula, 2014, 72.

2

Launois, P.-E., Roy, P., ‘Gigantisme et infantilisme’, Nouvelle Iconographie de la Salpêtrière, Tome XV, 1902, 548, pl. LXVI, online: https://patrimoine.sorbonne-universite.fr/fonds/item/2613-nouvelle-iconographie-de-la-salpetriere-tome-15?offset=6

the-documents.org
Knee
10:34:21
the-documents.org
Knee
10:34:21
the-documents.org

I bought my son a gift while abroad: a toy turtle named Essie whose perforated shield projects stars onto the ceiling in blue, green or amber. ‘8 actual star constellations’, the box proclaims.

The manual explains how to power up the turtle and what the four buttons on Essie’s back do. The small document (recto: Chinese, verso: English) concludes with some ‘Words from Little Turtle ESSIE’. In it the turtle shifts from direct speech to illeism1 and back.

1

The act of referring to oneself in the third instead of first person.

the-documents.org
Essie
10:34:23
the-documents.org

On March 23th 2015, a high pressure system above Panama Bay blew strong winds landwards. At the Gatun locks, one of the webcams overlooking the Canal neglected the traffic and briefly captured its own images. The ship’s presumed passage through the Gatun locks wasn’t recorded by this camera and the AIS-transponder did not save any data of the ship’s transit from the Pacific to the Atlantic side of the canal: the Authenticity managed to swap oceans undetected.

On February 16th 2016, the transponder still signals the ship near the port of Bahia Las Minas. The current is calm, the ship has been practically immobile for a year.

First published in: De Cleene, M. Reference Guide. Amsterdam: Roma Publications, 2019

Webcam Gatun Locks, Panama Canal, http://www.pancanal.com

the-documents.org
Gatun Locks
10:34:28
the-documents.org

The planet Uranus should have followed a course as predicted by Newton’s laws. It didn’t. There were ‘residuals’, the 19th-century observers said: irregular data, which had to be interpreted as Uranus deviating from the projected trajectory. They could think of three possibilities. A) The planet Uranus was too far away from the Sun, which might render the Law of Gravitation invalid. B) The observations were incorrect. C) There was another planet, still further and yet unknown, with its own gravitational field and pull, causing Uranus to deviate from its course.

Following hypothesis C, astronomers predicted the position of a planet with a gravitational field, influencing Uranus, by means of mathematical calculations. Telescopes were directed to that calculated spot. There was a luminous point, with a touch of bright azure blue.

the-documents.org
Neptune in opposition [3/20] – Azure
10:34:31
the-documents.org

On January 23, 2020 a young couple walks around the drained reservoir of Kruth-Wildenstein.

It’s freezing. They’re expecting their first child within a month.

the-documents.org
12M m3 [5/8] It’s Freezing
10:34:33
the-documents.org

Interior of Eben-Ezer: photocopies and replicas of among other things an Edit du Roy and a photograph of a Marche pour la liberté de conscience, 1956. Handwritten labels are added beneath the blue frames. Due to limited lighting, and an interdiction to use the camera’s flash, some labels are illegible, even when zooming in on the picture. It is unclear what the bottom left replica of a painting is (it has a Brueghelian air to it) and the upper right replica of a photograph. 

The walls are made of flint, harvested from quarries in the neighbourhood.

the-documents.org
March
10:34:34
the-documents.org

Recently built apartment with two bedrooms, two terraces, underground car parking space and basement storage. The layout is as follows: beautiful spacious entrance hall with fitted cupboard, spacious living room with a sliding window and a terrace, open kitchen, storage room. Separate toilet with sink. Bathroom with shower, bath, toilet and bathroom furniture with double sink and mirror cabinet, 2 bedrooms, 1 with terrace. Fully painted and ready to move in. Public transport and shops in the immediate vicinity. Rental price: 775 € / month + 55 € general costs / month. RECOMMENDED!’

Zaffelare, December 2019.

First published in A+ Architecture in Belgium, A+ 282, Village (February, March 2020), https://www.a-plus.be/nl/tijdschrift/village/

https://www.immoweb.be/nl/zoekertje/appartement/te-huur/zaffelare/9080/id8452503

the-documents.org
2 bdrms
10:34:36
the-documents.org

In Veurne, at the bakery museum, old speculaas moulds are presented in an almost religious fashion. Looking at these wooden blocks, they appear to be the negatives to Romanesque sculptures.

How does it feel to be conserved and showcased when your nature is to be a tool? What would it mean to re-use them, to fill those empty molds, to shape something new without altering the matrix, to project what it would be like, to try out recipes and different baking, to learn from it and enjoy the results together? What scenes are even depicted? We lost part of their meaning, we could dig further, browse the books, ask our grandparents and collectively invent whatever narrative they might hold.

Clementine Vaultier’s interests, although trained as a ceramist, are in the warm surroundings of the fire rather than the production it engenders.

the-documents.org
Moulds for speculation
10:34:37
the-documents.org

On May 6th 2020, 14h06 and 31 seconds, the Belgian Seismological Institute records an earthquake with a 1,7 magnitude in the region of Braine-Le-Compte. Three reactions from people in the neighbourhood, filed by the Institute, confirm the official seismological recordings. The Institute’s website classifies the earthquake as a ‘quarry blast’.

http://seismologie.be/nl/seismologie/aardbevingen-in-belgie/en130qj1o

the-documents.org
Quarry
10:34:39
the-documents.org

A 250 meter walk away from the seaside. A sign states in Dutch and French: 
‘!!! NO PARKING !!!
Wrongly parked cars will be chained and only released upon payment of a € 40 parking fee’

The 40 EUR parking fee the sign threatens to charge is communicated by a relatively new sticker stuck on an older sign. Underneath the three black characters (€, 4 and 0) on a white background, there’s a relief: 7 characters declaring a parking fee of 1500 BEF. 

1500 BEF equals 37,18 EUR1. In changing currency, the fee increased by 7,58%.

1.

The Belgian franc was the currency of the Kingdom of Belgium from 1832 until 2002 when the Euro was introduced. 1 EUR is worth 40,3399 BEF.

the-documents.org
Inflation
10:34:40
the-documents.org

Until recently, for as long as I could remember, the packaging of Tabasco® Pepper Sauce had been unchanged. On the front of the packaging, there is a photograph of a bottle of Tabasco®, scale 1:1, against an orange background.As far as packaged goods go, this is a highly idiosyncratic and quirky example.

The background colour approximates the colour of the liquid inside the bottle, resulting in as good as no contrast. Moreover, as the image of the bottle is scale 1:1, the packaging becomes kind of unnecessary and superfluous, also because the life-sized image of the bottle is the only way information is given to the customer: there are no additional slogans, no repetition of the brand name, no props and no decor. The image of the bottle advertises the bottle. It seems to add nothing the bottle could not do by its own (like a bottle of wine does).

What makes the packaging truly stand out, however, is the fact that the image of the bottle is not positioned vertically, but is slightly askew. It seems to be the result of a design error, and has an amateur feel to it. The decision to keep it as such and not correct it up until today, is, however, a stroke of genius. The non-vertical positioning alters the relation of the image of the bottle to the bottle inside: as the box is standing on a shelf, the tilted image of the bottle undermines its representational superfluousness.

the-documents.org
Slightly Askew (1)
10:36:07
the-documents.org

Shortly after crossing the Thur the couple reaches their car. They’re freezing. As the sun sets they drive through the mountainous landscape. The heating hurts their fingers.

The next day, they return, but the scene looks different. It’s warmer. The Thur appears to flow faster.

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12M m3 [8/8] Heating
10:36:08
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The two photographs arrived in Belgium inside a used hardback1 in spring 2016, though it is unclear how long before that time they were actually taken.2

Photograph #1 measures 151 x 100 mm and shows two young people who appear to be mountain climbing and captured while clearing a ridge. Behind the two subjects a bluish mountainous landscape is vaguely visible, suggesting a vantage point of some considerable elevation. The person on the left is wearing a white T-shirt and a bracelet, and has several earrings. The person on the right is carrying a backpack. What appears to be a black tank-top may in fact also be the straps of the pack. On their head they wear what appears to be a grey T-shirt or other garment, presumably to protect the subject from the sun; this person also has earrings and is wearing a necklace and sunglasses. The weather appears nice, both subjects are smiling and appear relaxed. The effort may well have been staged.

Photograph #2 measures (approximately) 43 x 62 mm with the left, bottom and right sides appearing to be cut, rather unevenly, with scissors. It has the typical appearance of an American high school yearbook photo and shows a young person wearing a shiny black blouse and a necklace. They have blue eyes and below-shoulder length auburn hair. The red lips appear painted. On the back of this photograph is written in a clearly legible hand:

Clay, I can’t
wait until next
year when we’re
in grade 12!3
Have a great
Summer and
call me [XXX XXXX]4
by the way, I haven’t
forgot about how big UR

The only assumptions to be made somewhat safely from these two items are that (a) the book has once belonged to ‘Clay’, and, (b) a relationship of a close, friendly, perhaps even intimate, nature has at one time existed between ‘Clay’ and the person in the second photograph (assuming also that (c) the note on the back of the second photograph was indeed written by the person in that photograph). The circumstances surrounding, and/or motivations (‘Clay’’s or any third parties’) behind the book’s ending up in a used-book shop5 must necessarily remain a matter of speculation. There are no reasons to assume that the book was gifted to ‘Clay’ by the note-writer (or by anyone else) as no dedication appears in it.6 It must also remain inconclusive whether there are either two or three different persons appearing across the two photographs, and whether any of these is in fact ‘Clay’.

Indeed, the number of questions raised by these items far exceeds the number of answers they provide. Even leaving aside the nature of the writings in the book, one cannot help but speculate as to:
— how much, if any, of the book ‘Clay’ ever read;7,8
— what happened to the CD originally included with the book;9
— why the unrelated inserted materials were not removed from the book before sale (as opposed to the CD);
— whether ‘Clay’ did in fact ring up the writer of the note over that summer;10 indeed whether the two ever did meet again, remain close during their ‘senior’ year, perhaps even stay in contact after graduating;
— the meaning of the rather cryptic final line of the note.

1

The book is a first edition, first printing hardback copy of Word Virus: the William S. Burroughs reader, edited by James Grauerholz and Ira Silverberg, with an introduction by Ann Douglas, published by Grove Press (New York) in 1998 (160mm x 235mm, 532pp.). On the used book aggregator webstore, the book was graded ‘Very Good’ (or, VG),* which proved a realistic assessment as it appeared (in fact, still does) largely unread with a dust jacket in equally good condition and no markings inside whatsoever. In fact, the book’s condition might well have warranted a ‘Fine’ (F) grading were it not for the only notable (yet not noted) defect, which was that the ‘Spoken Word CD’ that was originally included — as indicated by a 32mm diameter round sticker in the top right corner of the front of the dust jacket, and the glued-in envelope in the back of the book — was no longer present. This defect may well have accounted for the apparent disparity between the state and grading of the book and the low price of $4.53 (shipping not included) it was sold at, although the fact remains that this incomplete state ought to have been mentioned in the listing. Since the time of purchase, however, markings were added to the book, presumably with an additional adverse effect on its market value: appearing on the half-title page, they are in dark green crayon and of an abstract nature and were made by the current owner’s infant son.

* According to the terminology of the grading scale proposed in 1949 by AB Bookman’s Weekly and still widely, if not universally, in use in the online used book market today, albeit with some additions or modifications by individual platforms. See Wikipedia for a brief overview.

2

Elements of style and physical nature of the artifacts may be taken to indicate an origin roughly contemporaneous with the book.

3

‘[In the United States of America, the] twelfth grade is the twelfth school year after kindergarten. It is also the last year of compulsory secondary education, or high school. Students are often 17–19 years old. Twelfth graders are referred to as Seniors.’ (Wikipedia)

4

A 7-digit phone number, without country or area code, redacted here.

5

Located in the state of Nevada, no further identification of the particular shop was provided on the aggregator webstore, and it must be noted that the book was subsequently shipped from ‘Auburn’, presumably Auburn, CA.

6

Indeed in accordance with its ‘Very Good’ grading, which is generally understood to explicitly list any defects such as markings (including dedications) but also any missing materials.

7

Quality hardbacks being notably easier to read without damaging the book.

8

Speculations on this, and any potential subsequent extrapolations are, fortunately perhaps, further inhibited by the fact that the book presents a rather generous cross-section of writings spanning the entirety of William S. Burroughs’ famously prolific career. The inclusions span the period between 1929 and 1994. Although undertakings of this kind will inevitably meet with criticism, the consensus indeed seems to be that the editors have done an excellent job in selecting and presenting the material. Was ‘Clay’ mainly drawn by the hard-boiled straightforward prose style of the early novels; the highly experimental and provocative writings of the ‘middle period’ (traditionally labeled as rather ‘hermetic’ and ‘cold’, though they are quite often not without a haunting, perhaps even ‘poetic’ quality); or the later, one might say ‘integrated’ style which saw the earlier experiments wedded to a certain ‘return to narrative’ and, in old age, traces of a much more ‘humane’ author than ever before (if a point of critique may yet be formulated, one might indeed say that the writings from this later period (roughly 1978–1997) are somewhat favoured (quantitatively) in the Word Virus volume; as these have a (still: relatively) greater ‘readability’ than much of the older material that may indicate a decision of a commercial nature, yet there is also the fact that these texts were written in collaboration with one of the editors of Word Virus)?

9

Being in fact a promo sampler for the 4CD Giorno Poetry Systems compilation of William S. Burroughs material also released (by Mouth Almighty Records and Mercury Records) in 1998. See Discogs.

10

Nevada has three area codes (702, 725, and 775), yet quick Google searches of the 7-digit number combined with any one of those yield no easy identification. Considering the overall scarcity of information, however, it seems clear that anyone seeking to reconstruct the biographies of ‘Clay’ and/or the note-writer should take up this line of investigation.

David Depestel hesitates in trying to make something of himself; a character, a profession, a fixed mode of being, are for him concepts that already shadow forth the outlines of the skeleton, which is all that will be left of him in the end.

https://en.wikipedia.org/wiki/List_of_used_book_conditions

https://en.wikipedia.org/wiki/Twelfth_grade#United_States

https://www.discogs.com/release/673857-William-S-Burroughs-Selections-From-The-Best-Of-William-Burroughs-From-Giorno-Poetry-Systems

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Debatably graded
10:36:11
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Debatably graded
10:36:11
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A half a day’s walk from the Fuente Dé teleférico, there are less and less traces of passers-by. The path to Sotres suddenly runs through a lusher green. The fence between two pastures keeps the sheep from crossing and coincides with the border between two regions. A hole in the fence would change the landscape’s hue.

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From Asturias, Into Cantabria
10:36:13
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While calibrating their telescopes, or dealing with unforeseen, cloudy weather, amateur astronomers tend to trade the far for the not-so-far, and point their telescopes at their immediate surroundings.

Excerpt from Towards Civil Dusk (De Cleene De Cleene, 2020)

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Neptune in opposition [5/20] – Magnolia leaves on a cloudy afternoon
10:36:42
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On a morning sometime in January 2022 at the dinner table, after a cozy sleepover, she took a deep sigh full of relief and cracked a charismatic smile while looking at the festive breakfast that was in front of us, saying how she felt. Alone in a park I wrote in my notes: ‘Spoiled & Blessed’. Half a year later I was going through my purse, dehoarding some stuff I gathered in the past weeks. I stumbled upon an old receipt from the laundromat. It had a drawing on it that I drew some time ago, when we were having drinks to round up an exhausting project that took way too much time and energy. After putting the receipt back in my purse, I returned to my work to finish some stuff. Back at my computer I emailed myself: ‘don’t forget to plant sunflower seeds’.

Tjobo Kho is a graphic designer and publisher based in Amsterdam. Since 2017 part of the floating collective and publishing platform OUTLINE, and recently started his own publishing house no kiss?.

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Mary
10:36:49
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On 12 October 2022, I see a third orange Sparta K-10 listed on marktplaats.nl, after Tineke and Fred‘s. It is sold by one Fr from Zevenaar. Fr put the bike up for sale four days earlier. According to Fr, it is a ‘luxury station bike’ and ‘camping bike’. He is asking 199 euros for it. Fr explains the bike as follows:

‘Luxury sparta unisex bike with 3-speed shimano-nexus.
Striking specimen.
Looks like new.
Please note……fixed price!
Ideal for station, camping or for some nice touring.
Equipped with:
Front and rear battery lighting
Handy front and rear luggage rack
All-terrain tyres
3-speed gearbox
Comfortable drifter saddle
Integrated cable lock
Large dingdong bell
A real eye-catcher’1

According to Fr, the price is fixed, but on the website you can make an offer, albeit only from 199 euros. Fr’s Sparta K-10 has three gears. The Sparta K-10s of Tineke, John and Fred that are still for sale do not have gears, the Sparta K-10s in Rue Verte in Brussels and on cyclonewebshop.be do not have them, and in the 2011 Sparta leaflet we did not see that option either. In short, we come across a Sparta K-10 with gears for the first time. There is a small typing error in Fr’s explanation in Dutch – the t in geïntegreerd is missing – but those who like to browse on marktplaats.nl read smoothly over that. One of the photos of Fr’s ad shows the loop attached to the back of the bike. You can clearly see how that loop forms the end of an integrated cable lock.

1

‘Luxe sparta unisex fiets met 3 versnellingen shimano-nexus.
Opvallend design exemplaar.
Ziet er uit als nieuw.
Let op……vaste prijs!
Ideaal voor station, camping of zo om lekker mee te toeren.
Voorzien van:
Batterijverlichting voor én achter
Handig bagagerek voor én achter
All terreinbanden
3 versnellingen
Verende zadelpen
Comfortabel drifter zadel
Geïnegreerd kabelslot
Grote dingdong bel
Een echte eye-catcher’

Lars Kwakkenbos lives and works in Brussels and Ghent (B). He teaches at KASK & Conservatorium in Ghent, where he is currently working on the research project ‘On Instructing Photography’ (2023-2024), together with Michiel and Arnout De Cleene.

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The Loop of the Sparta K-10
10:36:55
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The car is parked on a gravel path, a few metres down from the small road crossing the village. It would be hopelessly stuck the next morning. While trying to capture Neptune through the rental telescope, I run back and forth between the tripod on the small lawn and the trunk several times to get other eyepieces and adapters.

I align the telescope, using three stars: Vega, Arcturus and Deneb. 

I hear an animal. I look up and notice the interior light of the car has switched on. 

A motorcycle around 3:14. The driver is shifting gears rapidly. I don’t see any headlights in the valley.

Fog sets in. Saturn practically disappears from sight. Jupiter appears as a blob. 

I’m 380m above sea level. The highest hill in the area is barely 500m of height. Still, the fog and the settling dew, along with the nightly cold give it something strangely alpine. 

The fog lifts.

I can still clearly see the ridge in the east. It should be darker.

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Neptune in opposition [11/20] – Alpine
10:36:57
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At the copyshop, on a shelf above photocopier 8, the lid of a box of paper serves as the container for ‘forgotten originals’.1

1

The book being copied: Didi-Huberman, G. La ressemblance par contact. Archéologie, anachronisme et modernité de l’empreinte. Paris: Les Editions de Minuit, 2008.

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At the copyshop
10:37:19
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Depending on the perspective one chooses to look at the address, the house is adorned or not. The perspective from the main road is an image made in August 2020, the website (Google Maps) says. Our car is in front of the garage. It must be the end of August. We drive home from the hospital with the newborn, who doesn’t stop crying. Maybe I tightened the belts in the car seat too much. Arriving at our house, we see the slogans and decorations friends have hung at our front door. On the sill of the neighbour’s first floor window, there’s a brick that must have fallen from the second floor facade.

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YAY HOORAY
10:37:22
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Jolimont, December 2021. The place is in ruins. We occupy the domain with students of La Cambre in an attempt to practice ceramics with what is there. In the former ceramic atelier, we gather everything that was purposelessly there: a weird collection of things from the past, waiting to be organized, displayed, used or thrown away. 

The firing tool was made to take out the accumulating ashes from the firebox, to keep the air flowing in the oven, raising the temperature, reaching our ceramic-making goal of 1150°C. Not very efficient, time or heat resistant, this savage, yet poetic composition barely survived the firing. 

The wooden handle was borrowed from a broom.
The scraper is a fragment of a chandelier previously hanging in one of the salons.
The connecting element is an old electrical resistor we found in one of the dismantled ovens.

Clementine Vaultier’s interests, although trained as a ceramist, are in the warm surroundings of the fire rather than the production it engenders.

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Firing tool
10:37:39
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In Veurne, at the bakery museum, old speculaas moulds are presented in an almost religious fashion. Looking at these wooden blocks, they appear to be the negatives to Romanesque sculptures.

How does it feel to be conserved and showcased when your nature is to be a tool? What would it mean to re-use them, to fill those empty molds, to shape something new without altering the matrix, to project what it would be like, to try out recipes and different baking, to learn from it and enjoy the results together? What scenes are even depicted? We lost part of their meaning, we could dig further, browse the books, ask our grandparents and collectively invent whatever narrative they might hold.

Clementine Vaultier’s interests, although trained as a ceramist, are in the warm surroundings of the fire rather than the production it engenders.

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Moulds for speculation
10:37:42
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He’s wearing a digital watch. It looks like a Casio. It’s impossible to read the time, no matter whether you are studying the high-resolution scan of the negative or the negative itself, with the aid of a loupe and lightbox. 

The device had a stopwatch function. When we were around eight and ten, we used to compete in trying to start and stop the stopwatch in the shortest possible interval. The smaller the gap, the closer to zero. Sometimes he would also have a try. We once managed to get it down to 00:00:00:03. Neither of us dared to press ‘reset’ and try again.

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Stopwatch
10:37:53
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Fred from Zwolle offers two Sparta K-10s on Marktplaats.nl on 29 September 2022. The asking price for the two bikes is 250 euros, bids may start from 200 euros. The green bike has a front light that is powered by a rim dynamo, while in another photo we see a front light on the orange bike that is presumably battery-powered, as may be the case for the rear lights. The carrier mounted at the front of the green bike is clearly a luggage carrier, as is the one at the back. What the carrier mounted at the front of the orange bike is for, is unclear. The description of the bikes does mention the function of the loop protruding from the frame at the back of the Sparta K-10:
‘20-inch bikes that we have always used while camping. No gears but smooth and light pedalling. Ideal for running small errands close by or a quick errand in the toilet building. They are light and quite short making them easy to take on the train. Ideal as a short-distance bike between station and work. Both are, furthermore, in good condition. Each bike comes with a key for the integrated cable lock. Are listed as a ladies’ bike but I (male) get on just fine.’1

1

’20 inch fietsen die wij altijd tijdens het kamperen hebben gebruikt. Geen versnellingen maar soepel en licht trappend. Ideaal om kleine boodschappen dichtbij te doen of een snelle boodschap in het toilet gebouw. Ze zijn licht en vrij kort waardoor ze makkelijk mee te nemen zijn in de trein. Ideaal als korte afstandfiets tussen station en werk. Beiden zijn verder in goede staat. Van elke fiets beide sleutels aanwezig voorzien van een geïntegreerd kabelslot.Worden als damesfiets genoemd maar ik (man) kom er prima mee vooruit.’

Lars Kwakkenbos lives and works in Brussels and Ghent (B). He teaches at KASK & Conservatorium in Ghent, where he is currently working on the research project ‘On Instructing Photography’ (2023-2024), together with Michiel and Arnout De Cleene.

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Two Sparta K-10s, Owned by Fred and Partner
10:38:08
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This video-still is taken from a documentary about ‘Le Coin du Balai – De Bezemhoek’, a Brussels neighborhood on the edge of the Sonian Wood. Historically, the inhabitants had the exclusive right to harvest young shoots of trees to make and sell brooms. In 1976, filmmaker Willy Biesemans captured the last broom-maker, still in possession of this vernacular knowledge. 

Nowadays, the Sonian Wood is commonly understood as a place of natural beauty surrounding the city. The wood the forest produces is managed as a chain of production and sold in public auction to the best buyer. The bulk of the forest’s produce is exported abroad and eventually imported back as manufactured goods.

Clementine Vaultier’s interests, although trained as a ceramist, are in the warm surroundings of the fire rather than the production it engenders.

Biesemans, W. De Bezemhoek. 1976 (YouTube – De Bezemhoek)

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Learning broom-making again
10:39:07
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This is the spread one sees upon opening the bird field guide that once stood, as the stamp indicates, in the library of a psychiatric institution.1 It shows birds’ silhouettes, as they can be seen beside the road.

The drawing has a kind of Hitchcock feel to it.2 The birds seem to be spying on each other, as they also seem to be spying on the unsuspecting passer-by. 

The composition of the scene is marvelous. The electric wires, the tree, the wire fence, the double framed list with the birds’ names, handsomely positioned in a birdless patch, at once superimposed on the telephone wires, and pushed to the background by the skylark.

Imagine seeing this scene. What are the odds: to see the silhouettes of Europe’s twenty most common species of birds in one glance, from your car’s window, as you are driving home at dusk.

Before closing the book, the last spread seems to show the birds fleeing, maybe attacking.3

1

The stamp indicates that, at the psychiatric institution, the book was part of the sublibrary for the Catholic Brothers of Charity. The crossed-out part indicates that there was also a separate physicians’ library, to which the book might have originally belonged.

2

On the web, discussions on whether Alfred Hitchcock’s The Birds (1963) was shot in colour or in black and white, abound. 

3

Peterson, R.T., Mountfort, G. & P.A.D. Hollom. Vogelgids voor alle in ons land en overig Europa voorkomende vogelsoorten (J. Kist, transl.). 3d ed. Amsterdam/Brussels: Elsevier, 1955. 

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The Birds
10:39:27
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A first try at using the instrument for making a recording: excitement as we succeed in pointing the telescope at the brownish dot afar we just noticed on the other side of the valley. As it continues scavenging, we wait for night to set in. 

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Neptune in opposition [13/20] – A foraging fox
10:39:29
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While calibrating their telescopes, or dealing with unforeseen, cloudy weather, amateur astronomers tend to trade the far for the not-so-far, and point their telescopes at their immediate surroundings.

Excerpt from Towards Civil Dusk (De Cleene De Cleene, 2020)

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Neptune in opposition [5/20] – Magnolia leaves on a cloudy afternoon
10:39:33
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The road down from the top of Mount Vesuvius, at Atrio Del Cavallo. The sun sets. The last tourist bus has headed down. Then the headlights of the guardian’s car swing their way down. It must be freezing. I am holding an orange-sized piece of petrified lava, probably stemming from the 1872 or 1944 eruption. A kilometer further down the road, the old Observatory is empty. Nowadays, moni­toring seismic changes is done in a research centre in the city of Naples. Their seismo­graphic regis­trations can be followed online, in real time. Two head­lights swirling along the slopes, underneath me, are coming upwards.

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A Seismic Change
10:39:35
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(‘Slice of more than three meters in diameter, sawn from a Mammoth-tree, given by California to the botanical garden of New York, and presented there’)

Thiery describes the ‘patriarchs’ of the plant world. This slice of a Sequoia, which fell in 1917 in Yosemite National Park, is 1694 years old. A woman of the New York Botanical Institue, where the slice of the patriarch is presented, counted the rings. If one would look at the picture with a magnifying glass, Thiery writes in a footnote, the reader (with good eyes and a fair amount of knowledge of the English language) would be able to read the labels indicating the important global events the tree witnessed. They are transcribed and translated by the author. The end of the Roman occupation of Great Britain. Columbus arriving in America. The Declaration of Independence. This is a lie: the text is illegible, even when using a magnifier.

In the photograph, the slice, as on view in the New York Botanical Institute, is presented upright. To prevent it from rolling away, two small triangular slices of wood were posited at the left and right side of the slice. The type of wood of these slices, nor the age of the patriarch from which they stem, are known.

Thiery, M. Het woud. Een proeve van plantenaardrijkskunde. Gent: De Garve, s.d., p. 59.

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Magnifier
10:39:37
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A sheet of brushed aluminium serves as the base for a monochromatic print showing a circular floor plan and seven photographs. The nearby Prosopis cineraria, known as the ‘Tree of Life’, is a well-known tourist attraction in the Arabian Desert near Jebel Dukhan. The plaque shows how the recently constructed concrete structure, circling the four hundred year old tree, allows the visitors to see and photograph the landmark in new and – because of the tree’s decentralized position – surprising ways. In summer the temperature can rise well over 40°C. The different expansion rates of the aluminium and its imprint cause the latter to crack.

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Desiccation
10:39:39
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Sundown at the public observatory in Beisbroek. A choir of birds mixes with the continuous hiss of the freeway nearby. The camera captures the receding colours. The blinds are open; the half dome is closed. 

A documentary approach: moving along a tension between proximity and distance. If the pendulum swings to either side, it becomes difficult to speak of the documentary. Proximity without distance, and distance without proximity, undermine it, precisely because any approach is then out of the question.

Excerpt from Towards Civil Dusk (De Cleene De Cleene, 2020)

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Neptune in opposition [19/20] – Approximation
10:39:42
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Here, on his kitchen table, Marcel Poulet, an expert on the stoneware tradition in the center of France, is explaining his archeological work on ‘whale ovens’. 

I started collecting images and plans of ovens, for the beauty of those abstract technical lines and for what we can learn from them. In gathering the material that makes up this Atlas, and in sharing interests and knowledge, I learned that many people know about ovens, either in their homes, gardens, ateliers, factories, streets… Everyone transforms things through heat. Even bodies need warmth and produce some themselves.

Clementine Vaultier’s interests, although trained as a ceramist, are in the warm surroundings of the fire rather than the production it engenders.

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Oven encounter
10:39:46
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Besides the scale indicating the length in centimeters, and the marks made by using it, a folding ruler displays other marks. These are the marks found on the weber broutin www.weber-broutin.be folding ruler, from left to right: 

  • 2m (in a frame, between 1cm and 2cm); indicating the total length of the folding ruler.
  • a hexagon, barely visible, punched into the wood (between 2cm and 3cm); unknown signification.
  • LUXMA (in a frame, between 4cm and 5cm); the manufacturer of the folding ruler (different from the company who ordered the folding ruler, their (the company’s, i.c. weber-broutin’s) name is printed on the sides of the ruler, and is only readable when the ruler is folded together for at least 50% (=1m).
  • III (in an oval, between 6cm and 7cm); indication of the preciseness of the scale in centimeters, with ‘I’ in roman numbers meaning the most precise, and ‘IV’ in roman numbers meaning the least precise. (It is therefore not entirely certain that the ‘III’ on weber-broutin’s folding ruler can actually be found between 6cm and 7cm.)
  • D 99 (in an oval, probably between 7cm and 8cm, see argument mentioned above); unknown signification.
  • 1.1.60 (in an oval, probably between 7cm and 8cm, beneath D 99), signification unknown.
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Measures
10:39:50
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‘The masons in training pour a concrete slab and build four walls upon it in a stretcher bond. Then the block comes to our department and the students in the course Electrical installer (residential) can grind channels and drill cavities in it.’
[…]
‘It’s not always a success from the outset, but they learn quickly.’
[…]
‘Never grind horizontally, always vertically. Diagonally if there is no other way.’
[…]
‘Two fingers wide.’
[…]
‘After this it goes to the sanitary department. After the bell drilling, the demolition hammer follows and the masons make us a new block.’

Competentiecentrum VDAB, Wondelgem, July 2019.

First published in A+ Architecture in Belgium, A+ 279, Schools (August, September 2019), https://www.a-plus.be/nl/tijdschrift/schools

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Block
10:39:59
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In his debut novel ‘De Metsiers’ Hugo Claus employs a multiple narrative perspective. In the copy I picked up in a thrift store, there’s a bookmarker between pages 44 and 45 where the perspective shifts from Ana to Jim Braddok. It’s pouring. The pink piece of paper lists 9 sessions at a driving school. There’s a total of 20 hours, taught alternately by Johan and Guy.

In 2000, 2006 and 2017 the twenty-sixth of December was a Tuesday. (Earlier years are improbable, since the Euro was not introduced yet.)

Claus, H. De Metsiers. Amsterdam: Uitgeverij De Bezige Bij, 1978.

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It’s Pouring
10:41:01
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At the State Archive in Kortrijk, I am leafing through a 1955 photo album of the construction of the provisional church in Lokeren by the famous furniture company Kunstwerkstede De Coene. Gigantic wooden, prefabricated beams structure the building. It is cold. An old man in a grey suit shuffles between the racks to look up the date of birth of his great great grandmother. Snow covers the unfinished provisional roof. A bus passes, I reckon, through the pouring rain.

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Album
10:42:28
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December, 1947. Rapid snowmelt coincides with torrential precipitation. At the bottom of the Thur valley, in Wildenstein, the water gathers.

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12M m3 [1/8] Rapid Snowmelt
10:42:37
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In his debut novel ‘De Metsiers’ Hugo Claus employs a multiple narrative perspective. In the copy I picked up in a thrift store, there’s a bookmarker between pages 44 and 45 where the perspective shifts from Ana to Jim Braddok. It’s pouring. The pink piece of paper lists 9 sessions at a driving school. There’s a total of 20 hours, taught alternately by Johan and Guy.

In 2000, 2006 and 2017 the twenty-sixth of December was a Tuesday. (Earlier years are improbable, since the Euro was not introduced yet.)

Claus, H. De Metsiers. Amsterdam: Uitgeverij De Bezige Bij, 1978.

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It’s Pouring
10:42:45
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‘ORIGINAL. Rire de tout ce qui est original, le haïr, le bafouer, et l’exterminer si l’on peut.’ 
[‘ORIGINAL. Laugh with everything that’s original, hate it, scold it, exterminate it if you can.’]

Flaubert. Bouvard et Pécuchet (présenté par Raymond Queneau). Paris: Livre de poche, 1959 (with p. 232-233: dried leaf of a ginkgo tree, and p. 324-325: dried leaf of a birch tree), p. 429 [2,00 EUR, Librairie Vic-sur-Cère, August 2021].

the-documents.org
A Bibliographic Reference
10:42:51
the-documents.org

On Wednesday, May 9, 2018 at 2:23:14 PM Koh Elaine starts the thread original or original copy on the The Free Dictionary by Farlex’s forum.

‘Is “original copy” correct or should it be “original”? Thanks.’

The seventh reply to Elaine’s question is Wilmar’s on Thursday (his was preceded by towan52, georgew, NKM, Koh Elaine, Sarrriesfan, ChrisKC, Ashwin Joshi).

‘An original copy IS the original.

Folks usually call the document first created the original, but some will say original copy. If I run that original thru the copy machine, I end up with two copies (yes, I said copies) of the same thing – the original and the duplicate of it (in terms of content). This is how the term is commonly used.

If your writing or conversation depends heavily on understand the difference, I would recommend using the terms original and duplicates. There are many times when that is very important, in that the original must be retained by a particular party, and the duplicates are marked as such and distributed or stored as required depending on the document and the circumstance.

If you are just trying to make sure that you have enough copies to distribute to everyone at the company meeting this afternoon, use whatever terms trips your trigger. But, if you want to ensure that you keep custody of the original, so that you can make additional duplicates (copies) when additional people attend, then be more specific about the words you use.

OH, and, please, in the future, include some context with your question. Asking if “word” is correct doesn’t go very far in supplying a reasonably useful response.’

https://forum.thefreedictionary.com/postst182102_original-or-original-copy.aspx

the-documents.org
Original Copy
10:42:59
the-documents.org

Our one year old’s favourite toy he’s not supposed to play with is the HP Officejet Pro L7590 All-in-one in my office. I have given up on forbidding him to play with it. We have a new game: he brings me one of his other toys, we put it on the flatbed, close the lid – as far as possible –, press the button ‘START COPY – COLOR’ and wait for the print to come out of the machine. When we place the original onto the copy, he laughs. So far we have copied his blue pacifier, his planet-earth-bouncy-ball and his rattling crocodile.

the-documents.org
Crocodile Copy
10:43:05